Articles

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Amateur Stained Glass in English Churches, 1830-80

Amateur Stained Glass in English Churches, 1830-80

Thomas Kupper

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

‘Daylight upon magic’: Stained Glass and the Victorian Monarchy

‘Daylight upon magic’: Stained Glass and the Victorian Monarchy

Michael Ledger-Lomas

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Review of William Blake at Tate Britain: 'For the pictures'

Review of William Blake at Tate Britain: 'For the pictures'

Susan Matthews

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Time and Telegraphy: Nineteenth-Century Contexts for Stained Glass

Time and Telegraphy: Nineteenth-Century Contexts for Stained Glass

Karen Burns

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Stained Glass and the Victorian Town: Rochdale Library, Museum, and Art Gallery

Stained Glass and the Victorian Town: Rochdale Library, Museum, and Art Gallery

Veronica Smith

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

‘So great a cloud of witnesses’: Shaping Sacred Space in the Victorian Anglo-World

‘So great a cloud of witnesses’: Shaping Sacred Space in the Victorian Anglo-World

Gareth Atkins

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Introduction to 19 Live

Introduction to 19 Live

Victoria Mills

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Stained Glass: An Afterword

Stained Glass: An Afterword

Isobel Armstrong

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Medieval Stained Glass and the Victorian Restorer

Medieval Stained Glass and the Victorian Restorer

Sarah Brown

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Remediation, Medievalism, and Empire in T. W. Camm’s ‘Jubilee of the Nations’ Window at Great Malvern Priory

Remediation, Medievalism, and Empire in T. W. Camm’s ‘Jubilee of the Nations’ Window at Great Malvern Priory

Jim Cheshire

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Review of ‘Pre-Raphaelite Sisters’ at the National Portrait Gallery, London

Review of ‘Pre-Raphaelite Sisters’ at the National Portrait Gallery, London

Amelia Yeates

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

The Union of Science and Art: Stained Glass Windows for the South Kensington Museum

The Union of Science and Art: Stained Glass Windows for the South Kensington Museum

Jasmine Allen

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Review of Aubrey Beardsley at Tate Britain

Review of Aubrey Beardsley at Tate Britain

Sasha Dovzhyk

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Art or Articles of Trade: Appreciating Variety in Nineteenth-Century Ecclesiastical Stained Glass

Art or Articles of Trade: Appreciating Variety in Nineteenth-Century Ecclesiastical Stained Glass

Martin Crampin

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

A Conversation about Livingstone Online and the Victorian Record of African Exploration

A Conversation about Livingstone Online and the Victorian Record of African Exploration

Kate Simpson, Justin D. Livingstone and Adrian S. Wisnicki

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

George Eliot and Van Gogh: Radiant Realism

George Eliot and Van Gogh: Radiant Realism

Ruth Livesey

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

Henry James Visits the Priory: A Twice-Told Tale

Henry James Visits the Priory: A Twice-Told Tale

Rosemary Ashton

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

Hospitality in Silas Marner and Daniel Deronda

Hospitality in Silas Marner and Daniel Deronda

Josephine McDonagh

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

George Eliot’s Precarious Afterlives

George Eliot’s Precarious Afterlives

Fionnuala Dillane

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

‘An inordinate number of words’: Epigraphs in Daniel Deronda

‘An inordinate number of words’: Epigraphs in Daniel Deronda

Eirian Yem

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

Temporality and Statuesque Women in George Eliot

Temporality and Statuesque Women in George Eliot

Gail Marshall

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

From ‘the great Handel chorus’ to ‘wild passion and fancy’: Listening to Handel and Purcell in The Mill on the Floss

From ‘the great Handel chorus’ to ‘wild passion and fancy’: Listening to Handel and Purcell in The Mill on the Floss

Delia da Sousa Correa

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

Introduction

Introduction

Carolyn Burdett and Isobel Armstrong

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

George Eliot and Print Media: Woman of Letters

George Eliot and Print Media: Woman of Letters

Laurel Brake

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19

George Eliot, G. H. Lewes, and the House of Blackwood 1856–60

George Eliot, G. H. Lewes, and the House of Blackwood 1856–60

Joanne Shattock

2020-03-20 Issue 29 • 2020 • George Eliot 1819–2019 in 19