Articles
417 results
Replicating Venus: Art, Anatomy, Wax Models, and Automata
Corinna Wagner
2017-05-12 Issue 24 • 2017 • Replicating Bodies in Nineteenth-Century Science and Culture
Seen and Unseen: The Representation of Visible and Hidden Disease in the Waxworks of Joseph Towne at the Gordon Museum
Kristin D. Hussey
2017-05-12 Issue 24 • 2017 • Replicating Bodies in Nineteenth-Century Science and Culture
V for Ventriloquism: Powers of Vocal Mimicry in Henry Cockton’s The Life and Adventures of Valentine Vox, the Ventriloquist
Christopher Pittard
2017-05-12 Issue 24 • 2017 • Replicating Bodies in Nineteenth-Century Science and Culture
Art, Music, and the Emotions in the Aesthetic Movement
Tim Barringer
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
Feeling, Affect, Melancholy, Loss: Millais’s Autumn Leaves and the Siege of Sebastopol
Kate Flint
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
‘For the cake was so pretty’: Tactile Interventions in Taste; or, Having One’s Cake and Eating It in The Mill on the Floss
Lesa Scholl
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
Diana or Christ?: Seeing and Feeling Doubt in Late-Victorian Visual Culture
Kate Nichols
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
On Tempera and Temperament: Women, Art, and Feeling at the Fin de Siècle
Meaghan Clarke
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
Richard Dadd’s Passions and the Treatment of Insanity
Karen Stock
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
The Awakening Conscience: Christian Sentiment, Salvation, and Spectatorship in Mid-Victorian Britain
Karen Burns
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
The Trouble with Feeling Now: Thomas Woolner, Robert Browning, and the Touching Case of Constance and Arthur
Sophie Ratcliffe
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
‘They cannot choose but look’: Ruskin and Emotional Architecture
Katherine Wheeler
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
Vernon Lee’s Composition of ‘The Virgin of the Seven Daggers’: Historic Emotion and the Aesthetic Life
Sarah Barnette
2016-12-09 Issue 23 • 2016 • The Arts and Feeling
‘A series of surfaces’: The New Sculpture and Cinema
Rebecca Sheehan
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
The Relief of Lucknow: Henry Hugh Armstead’s Outram Shield (c. 1858–62)
Jason Edwards
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014
Jonathan Shirland
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Afterword: Victorian Sculpture for the Twenty-First Century
David Getsy
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
‘A token of their love’: Queen Victoria Memorials in New Zealand
Mark Stocker
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Exhibiting Victorian Sculpture in Context: Display, Narrative, and Conversation in ‘John Tweed: Empire Sculptor, Rodin’s Friend’
Nicola Capon
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Marmoreal Sisterhoods: Classical Statuary in Nineteenth-Century Women’s Writing
Patricia Pulham
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Nathaniel Hitch and the Making of Church Sculpture
Claire Jones
2016-06-22 Issue 22 • 2016 • Victorian Sculpture
Photographs of Sculpture: Greek Slave’s ‘complex polyphony’, 1847–77
Patrizia Di Bello
2016-06-22 Issue 22 • 2016 • Victorian Sculpture