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Plaster Peaks, Photography, and the Spread of Scientific Knowledge: The Tale of Tenerife 

Plaster Peaks, Photography, and the Spread of Scientific Knowledge: The Tale of Tenerife 

  • Kris Belden-Adams

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Cameras, Handwork, and Bodily Traces: Overpainted Photomechanical Images of Athletes and their Terrains

Cameras, Handwork, and Bodily Traces: Overpainted Photomechanical Images of Athletes and their Terrains

  • Rachel Ozerkevich

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

‘Brutal magic’: Staging Human-Environmental Relations in the Anthropocene

‘Brutal magic’: Staging Human-Environmental Relations in the Anthropocene

  • Kelly Presutti

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Wonder and Desire in the Museum: Immersive Devices from Akeley’s Early Habitat Dioramas to Eliasson’s Contemporary Art Installations

Wonder and Desire in the Museum: Immersive Devices from Akeley’s Early Habitat Dioramas to Eliasson’s Contemporary Art Installations

  • Clara Zarza

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Camera Archaeologia: A Media Archaeological Investigation into the Contemporary Use of Nineteenth-Century Photographic Processes

Camera Archaeologia: A Media Archaeological Investigation into the Contemporary Use of Nineteenth-Century Photographic Processes

  • Alaz Okudan

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

On Screen and in Living Colours: Vision and Early Colour Photography

On Screen and in Living Colours: Vision and Early Colour Photography

  • Rachel Lee Hutcheson

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Reconstructing Nineteenth-Century Frankfurt: Time Travel in TimeRide and the Neue Altstadt

Reconstructing Nineteenth-Century Frankfurt: Time Travel in TimeRide and the Neue Altstadt

  • Amrita Biswas
  • Johanna Laub

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Behind the Scenes with Franklin George Weller: The Creation of Stereoscopic Tableaux

Behind the Scenes with Franklin George Weller: The Creation of Stereoscopic Tableaux

  • Melody Davis

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

‘No photons to capture’: Electric Lighting and Visual Culture at Binoomea (Jenolan Caves)

‘No photons to capture’: Electric Lighting and Visual Culture at Binoomea (Jenolan Caves)

  • Megan Nash

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Picturing Hart Island: Negative Heritage Reclaimed

Picturing Hart Island: Negative Heritage Reclaimed

  • Heidi Aronson Kolk

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Cinema Redivivus: Bill Morrison and Early Cinema’s Spectral Return  

Cinema Redivivus: Bill Morrison and Early Cinema’s Spectral Return  

  • Tina Wasserman

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Tailoring Authenticity: A Media Post-Mortem of the Daguerreotype through the NFT

Tailoring Authenticity: A Media Post-Mortem of the Daguerreotype through the NFT

  • Robert Thomas Kilroy

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

Nineteenth-Century Technologies, Contemporary Stakes 

Nineteenth-Century Technologies, Contemporary Stakes 

  • Patricia Smyth
  • Gülru Çakmak

Issue 38 • 2025 • Nineteenth-Century Visual Technologies in Contemporary Practices

‘McAndrew, come awa’!’: Scots and Imperial Gothic in Rudyard Kipling’s ‘McAndrew’s Hymn’

‘McAndrew, come awa’!’: Scots and Imperial Gothic in Rudyard Kipling’s ‘McAndrew’s Hymn’

  • Paolo D‘Indinosante

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Free Indirect Speech Containing Welsh English Literary Dialect and Various Non-Standards in Anna Maria Bennett’s Ellen, Countess of Castle Howel

Free Indirect Speech Containing Welsh English Literary Dialect and Various Non-Standards in Anna Maria Bennett’s Ellen, Countess of Castle Howel

  • Starlina Rose

Issue 37 • 2025 • Nineteenth-Century Literary Languages

‘Who wrote this script?’: Pickwick in Stepney

‘Who wrote this script?’: Pickwick in Stepney

  • Carolyn W. de la L. Oulton

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Language Evolution, Literary Craft, and Aesthetic Mysticism in Robert Louis Stevenson’s Theory of Style

Language Evolution, Literary Craft, and Aesthetic Mysticism in Robert Louis Stevenson’s Theory of Style

  • Will Abberley

Issue 37 • 2025 • Nineteenth-Century Literary Languages

‘Gooin t’ schoo’: The Subject of Adult Education in Dialect Poetry from the Lancashire Cotton Famine 1861–65

‘Gooin t’ schoo’: The Subject of Adult Education in Dialect Poetry from the Lancashire Cotton Famine 1861–65

  • Simon Rennie

Issue 37 • 2025 • Nineteenth-Century Literary Languages

‘This queer hieland glen’: Multilingualism and Translocal Identification in Thomas Pringle’s African Farm Poems

‘This queer hieland glen’: Multilingualism and Translocal Identification in Thomas Pringle’s African Farm Poems

  • Lars Atkin

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Margaret Oliphant’s Phantom Scots

Margaret Oliphant’s Phantom Scots

  • Katerina García-Walsh

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Georgic at Home in Nineteenth-Century Dialect Poetry

Georgic at Home in Nineteenth-Century Dialect Poetry

  • Sue Edney

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Reinventing the Local: Neologism in William Barnes

Reinventing the Local: Neologism in William Barnes

  • Veronica Alfano

Issue 37 • 2025 • Nineteenth-Century Literary Languages

How Do You Solve a Problem Like Màiri?: Nineteenth-Century Gaelic Song, Rewilding, and Audience Creation

How Do You Solve a Problem Like Màiri?: Nineteenth-Century Gaelic Song, Rewilding, and Audience Creation

  • Peter Mackay

Issue 37 • 2025 • Nineteenth-Century Literary Languages

‘Voicing the Text’: ‘Speakers’, Speakers, and the Performative Anthology

‘Voicing the Text’: ‘Speakers’, Speakers, and the Performative Anthology

  • Lynda Mugglestone

Issue 37 • 2025 • Nineteenth-Century Literary Languages

Nineteenth-Century Literary Languages: Politics, Aesthetics, and Print Culture

Nineteenth-Century Literary Languages: Politics, Aesthetics, and Print Culture

  • Karin Koehler
  • Gregory Tate

Issue 37 • 2025 • Nineteenth-Century Literary Languages