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456 results

Margarito d’Arezzo’s Virgin and Child Enthroned: Victorian Beauty Under Attack?

Margarito d’Arezzo’s Virgin and Child Enthroned: Victorian Beauty Under Attack?

  • Susanna Avery-Quash

Issue 34 • 2023 • Victorian Beauty

Victorian Beauty…1945–1955

Victorian Beauty…1945–1955

  • Lynda Nead

Issue 34 • 2023 • Victorian Beauty

Beauty Both Ubiquitous and Exclusive: Emmeline Stuart-Wortley and the Great Exhibition

Beauty Both Ubiquitous and Exclusive: Emmeline Stuart-Wortley and the Great Exhibition

  • Daniel Brown

Issue 34 • 2023 • Victorian Beauty

The Functions of Criticism and the Politics of Appreciation

The Functions of Criticism and the Politics of Appreciation

  • Laurel Brake

Issue 34 • 2023 • Victorian Beauty

Looking Back: Legacies of Women Art Writers

Looking Back: Legacies of Women Art Writers

  • Meaghan Clarke

Issue 34 • 2023 • Victorian Beauty

Victorian Beauty: Ruskin’s Changing Ideals

Victorian Beauty: Ruskin’s Changing Ideals

  • Dinah Birch

Issue 34 • 2023 • Victorian Beauty

The Material and the Divine: Entwined Aesthetics in Alice Meynell’s ‘The Two Poets’

The Material and the Divine: Entwined Aesthetics in Alice Meynell’s ‘The Two Poets’

  • Lesa Scholl

Issue 34 • 2023 • Victorian Beauty

The Pinwill Sisters

The Pinwill Sisters

  • Marina Warner

Issue 34 • 2023 • Victorian Beauty

The Beauty of Fireflies: Transience, Myth, Bioluminescence, and Wonder

The Beauty of Fireflies: Transience, Myth, Bioluminescence, and Wonder

  • Kate Flint

Issue 34 • 2023 • Victorian Beauty

John Singer Sargent’s Portrait of Vernon Lee

John Singer Sargent’s Portrait of Vernon Lee

  • Maria Alambritis

Issue 34 • 2023 • Victorian Beauty

Swinburne, Pater, and the Cult of Strange Beauty

Swinburne, Pater, and the Cult of Strange Beauty

  • Catherine Maxwell

Issue 34 • 2023 • Victorian Beauty

The Point of Vanishing: Pater’s Loss of Perspective

The Point of Vanishing: Pater’s Loss of Perspective

  • Jonah Siegel

Issue 34 • 2023 • Victorian Beauty

Beauty and the Beast

Beauty and the Beast

  • Roger Luckhurst

Issue 34 • 2023 • Victorian Beauty

Poetics of the Steel Plate Engraving: Letitia Landon and Fisher’s Drawing Room Scrap Book

Poetics of the Steel Plate Engraving: Letitia Landon and Fisher’s Drawing Room Scrap Book

  • Isobel Armstrong

Issue 34 • 2023 • Victorian Beauty

Translating the Beauty of Japan: Lafcadio Hearn’s Art Writing

Translating the Beauty of Japan: Lafcadio Hearn’s Art Writing

  • Stefano Evangelista

Issue 34 • 2023 • Victorian Beauty

Moving

Moving

  • Carolyn Burdett

Issue 34 • 2023 • Victorian Beauty

Michael Field, Pre-Raphaelite: One Play and Two Fair Beginnings

Michael Field, Pre-Raphaelite: One Play and Two Fair Beginnings

  • Ana Parejo Vadillo

Issue 34 • 2023 • Victorian Beauty

The Art of Feeling: Subjective Criticism and Emotional Resonance

The Art of Feeling: Subjective Criticism and Emotional Resonance

  • Patricia Pulham

Issue 34 • 2023 • Victorian Beauty

Victorian Beauty

Victorian Beauty

  • Victoria Mills
  • Heather Tilley

Issue 34 • 2023 • Victorian Beauty

Review of ‘Whistler’s Woman in White: Joanna Hiffernan’ at the Royal Academy

Review of ‘Whistler’s Woman in White: Joanna Hiffernan’ at the Royal Academy

  • Thomas Hughes

19 Live

Review of ‘Audubon’s Birds of America’ at the National Museum of Scotland

Review of ‘Audubon’s Birds of America’ at the National Museum of Scotland

  • Peter Adkins

19 Live

Review of ‘Defying Expectations: Inside Charlotte Brontë’s Wardrobe’, Brontë Parsonage Museum

Review of ‘Defying Expectations: Inside Charlotte Brontë’s Wardrobe’, Brontë Parsonage Museum

  • Emily Gallagher

19 Live

Review of Walter Sickert at Tate Britain

Review of Walter Sickert at Tate Britain

  • Kate Aspinall

19 Live

Review of Lucas Hnath’s A Doll’s House, Part 2

Review of Lucas Hnath’s A Doll’s House, Part 2

  • Jaswinder Blackwell-Pal

19 Live

Introduction to 19 Live

Introduction to 19 Live

  • Robyn Jakeman

19 Live