Articles

443 results

Odd Age, Old Age, and Doubled Lives: Asynchronicity and Ageing Queerly in Israel Zangwill’s Short Stories

Odd Age, Old Age, and Doubled Lives: Asynchronicity and Ageing Queerly in Israel Zangwill’s Short Stories

  • Alice Crossley

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

‘How differently it came upon her’: The Ageing Young Stepmother in Charlotte Yonge’s The Young Step-Mother and Dinah Craik’s Christian’s Mistake

‘How differently it came upon her’: The Ageing Young Stepmother in Charlotte Yonge’s The Young Step-Mother and Dinah Craik’s Christian’s Mistake

  • Hannah Rosefield

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Ancient Trees and Aged Peasants

Ancient Trees and Aged Peasants

  • Christiana Payne

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Introduction: The Time Elapsed

Introduction: The Time Elapsed

  • Helen Small

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

‘A Budding Morrow in Midnight’: Facing Challenges and Embracing Opportunities during Lockdown at the Keats-Shelley House Museum in Rome

‘A Budding Morrow in Midnight’: Facing Challenges and Embracing Opportunities during Lockdown at the Keats-Shelley House Museum in Rome

  • Giuseppe Albano

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Bending the Clock: New Perspectives on Nineteenth-Century Ageing: A Roundtable Conversation

Bending the Clock: New Perspectives on Nineteenth-Century Ageing: A Roundtable Conversation

  • Andrea Charise
  • Devoney Looser
  • David McAllister
  • Ruth M. McAdams
  • Jacob Jewusiak
  • Travis Chi Wing Lau

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Homeworking at the Soane

Homeworking at the Soane

  • Helen Dorey

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Curating Historic Interiors at the Charles Dickens Museum during Covid

Curating Historic Interiors at the Charles Dickens Museum during Covid

  • Emma Treleaven

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

‘Look Back, and Smile on Perils Past’: Abbotsford in Lockdown

‘Look Back, and Smile on Perils Past’: Abbotsford in Lockdown

  • Kirsty Archer-Thompson FSA Scot

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Introduction to 19 Live

Introduction to 19 Live

  • Victoria Mills

Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Women Collectors and Cultural Philanthropy, c. 1850–1920

Women Collectors and Cultural Philanthropy, c. 1850–1920

  • Tom Stammers

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

Unmasking an Enigma: Who Was Lady Wallace and What Did She Achieve?

Unmasking an Enigma: Who Was Lady Wallace and What Did She Achieve?

  • Suzanne Higgott

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

The Artistic Patronage and Transatlantic Connections of Florence Blumenthal

The Artistic Patronage and Transatlantic Connections of Florence Blumenthal

  • Rebecca Tilles

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

New Collections for New Women: Collecting and Commissioning Portraits at the Early Women’s University Colleges

New Collections for New Women: Collecting and Commissioning Portraits at the Early Women’s University Colleges

  • Imogen Tedbury

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

More than Mere Ornaments: Female Visitors to Sir Richard Wallace’s Art Collection

More than Mere Ornaments: Female Visitors to Sir Richard Wallace’s Art Collection

  • Helen C. Jones

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

‘Life was a spectacle for her’: Lady Dorothy Nevill as Art Collector, Political Hostess, and Cultural Philanthropist

‘Life was a spectacle for her’: Lady Dorothy Nevill as Art Collector, Political Hostess, and Cultural Philanthropist

  • Caroline McCaffrey-Howarth

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

French Taste in Victorian England: The Collection of Yolande Lyne-Stephens

French Taste in Victorian England: The Collection of Yolande Lyne-Stephens

  • Laure-Aline Griffith-Jones

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

Ellen Tanner’s Persia: A Museum Legacy Rediscovered

Ellen Tanner’s Persia: A Museum Legacy Rediscovered

  • Catrin Jones

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

Beyond the Bowes Museum: The Social and Material Worlds of Alphonsine Bowes de Saint-Amand

Beyond the Bowes Museum: The Social and Material Worlds of Alphonsine Bowes de Saint-Amand

  • Lindsay Macnaughton

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

A Woman of No Importance?: Elizabeth Workman’s Collection of Impressionist and Post-Impressionist Art in Context

A Woman of No Importance?: Elizabeth Workman’s Collection of Impressionist and Post-Impressionist Art in Context

  • Frances Fowle

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

Afterword

Afterword

  • Kate Hill

Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 1850–1920

Recovered or Perfected: The Discourse of Chemistry in the Nineteenth-Century Revival of Stained Glass in Britain and France

Recovered or Perfected: The Discourse of Chemistry in the Nineteenth-Century Revival of Stained Glass in Britain and France

  • Thea Goldring

Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Amateur Stained Glass in English Churches, 1830-80

Amateur Stained Glass in English Churches, 1830-80

  • Thomas Kupper

Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

‘Daylight upon magic’: Stained Glass and the Victorian Monarchy

‘Daylight upon magic’: Stained Glass and the Victorian Monarchy

  • Michael Ledger-Lomas

Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Seeing Red

Seeing Red

  • Sally Rush

Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts