Introduction to 19 Live

Robyn Jakeman

2022-08-12 19 Live

Review of ‘Audubon’s Birds of America’ at the National Museum of Scotland

Peter Adkins

2022-08-12 19 Live

Review of ‘Defying Expectations: Inside Charlotte Brontë’s Wardrobe’, Brontë Parsonage Museum

Emily Gallagher

2022-08-12 19 Live

Review of ‘Whistler’s Woman in White: Joanna Hiffernan’ at the Royal Academy

Thomas Hughes

2022-08-12 19 Live

Review of Walter Sickert at Tate Britain

Kate Aspinall

2022-08-12 19 Live

Review of Lucas Hnath’s A Doll’s House, Part 2

Jaswinder Blackwell-Pal

2022-08-12 19 Live

Introduction to 19 Live

Victoria Mills

2021-06-14 Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

‘A Budding Morrow in Midnight’: Facing Challenges and Embracing Opportunities during Lockdown at the Keats-Shelley House Museum in Rome

Giuseppe Albano

2021-06-14 Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

‘Look Back, and Smile on Perils Past’: Abbotsford in Lockdown

Kirsty Archer-Thompson FSA Scot

2021-06-14 Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Curating Historic Interiors at the Charles Dickens Museum during Covid

Emma Treleaven

2021-06-14 Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Homeworking at the Soane

Helen Dorey

2021-06-14 Issue 32 • 2021 • The Old Nineteenth Century: Ageing against the Grain

Also a part of:

19 Live: 19 Live

Introduction to 19 Live

Victoria Mills

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Review of Aubrey Beardsley at Tate Britain

Sasha Dovzhyk

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Review of ‘Pre-Raphaelite Sisters’ at the National Portrait Gallery, London

Amelia Yeates

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

A Present-Day Morality for the Present Day

Sally Blackburn-Daniels

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Review of William Blake at Tate Britain: 'For the pictures'

Susan Matthews

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

A Conversation about Livingstone Online and the Victorian Record of African Exploration

Kate Simpson, Justin D. Livingstone and Adrian S. Wisnicki

2020-08-05 Issue 30 • 2020 • Reframing Stained Glass in the Nineteenth-Century British World: Culture, Aesthetics, Contexts

Also a part of:

19 Live: 19 Live

Reflections on 19 Live

Herb Sussman

2019-06-02 19 Live

Also a part of:

Issue: Issue 28 • 2019 • Old Masters, Modern Women

[In]Visible: Paintings by Women Artists in the National Gallery, London: An Interview with Letizia Treves and Francesca Whitlum-Cooper

Susanna Avery-Quash, Letizia Treves and Francesca Whitlum-Cooper

2019-06-02 19 Live

Also a part of:

Issue: Issue 28 • 2019 • Old Masters, Modern Women

Review of ‘Annie Swynnerton: Painting Light and Hope’, Manchester Art Gallery

Emma Merkling

2019-06-02 19 Live

Also a part of:

Issue: Issue 28 • 2019 • Old Masters, Modern Women

Review of ‘Christiana Herringham: Artist, Campaigner, Collector’, Royal Holloway, Emily Wilding Davison Building

Maria Alambritis (ed.)

2019-06-02 19 Live

Also a part of:

Issue: Issue 28 • 2019 • Old Masters, Modern Women

‘[In]Visible: Irish Women Artists from the Archives’: An Interview with Emma O’Toole

Susanna Avery-Quash and Emma O’Toole

2019-06-02 19 Live

Also a part of:

Issue: Issue 28 • 2019 • Old Masters, Modern Women